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That Said Page 18
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“Unforgettable.”
Unforgettable, that’s what you are.
Dream City
One night, Chen Chu dreamt that he was a butterfly. In his dream, he had never been anything but a butterfly. When he woke up he didn’t know if he was Chen Chu dreaming that he was a butterfly or a butterfly dreaming that he was Chen Chu.
—Zen koan
I was sleeping in a round room made of stone.
A voice called out, “This is your room. This is your bed.”
For months thereafter, I crossed a river
on thoroughfares to a city that seemed familiar.
Most nights I’d return there.
Its turn-of-the-century architecture,
wrought-iron and stone apartment houses,
looked like the buildings on Park Avenue, and Fifth.
Sometimes I dreamed hybrids of buildings
over and over: a library–hotel, a train station–school;
and a department store with a rickety elevator that took me
to the fourth floor, where the dresses were.
In one dream, I caught myself telling someone,
“These are the clothes I wear in my dreams,”
as I opened a closet. Inside were
shoes, jumpers, coats, a green hat with a feather—
my taste, my size, they even smelled like me.
And, once, I brought someone along with me from here.
Here, where I am when I’m wide awake.
I said, “This is the place I always dream about.”
As I fall asleep, my dream picks up in the place
where it left off the night before—
the street, the house, the room.
The next day, I might catch a glimpse of it
superimposed on what I’m really seeing—
a shard of light bleeding onto a negative.
In time, I began to see my city,
the basso continuo playing behind the melody
of my everyday life, as a kind of everyday life, too:
its industry, the bustle of its people,
its traffic, its history, its parallel ongoingness—
But not long ago, I was traveling
along the Jersey side of the Hudson
where I grew up. I hadn’t been back in years:
the woods were gone—
the collapsing docks and broken pilings
replaced with high-rent condos, supermarkets, malls,
anthills in the shadow of the Palisades.
The bridge and tunnel traffic was awful.
Instead of taking a bus, I crossed
to Manhattan by commuter ferry.
In the middle of the river, I looked up
at the skyline, the buildings
bronzed by late-afternoon light—
my dream city’s light—
the city I’d dreamed since I was twelve—
but I wasn’t dreaming.
My husband and daughter were sitting on the bench
on either side of me.
Rows of strangers, too.
Some gazed at the skyline, as I did.
Others read their newspapers, or dozed.
Body and Soul
The soul remains attached to the physical body after death for the first seven days, when it flits from its home to the cemetery and back. This explains why the initial mourning period is one week. For twelve months after death the soul ascends and descends, until the body disintegrates and the soul is freed.
—Dictionary of Jewish Lore and Legend
Which must be the reason why,
lying awake in my mother’s bed
the night after her funeral, I caught her
rummaging in the underwear drawer.
What a relief to know
the dead are expected to come back—
so seeing them up and about so soon
is no big deal.
If you die, say, in July,
I’d like to think that in the next few weeks,
your soul clings like the bar code
to the book of your body.
Little by little, the label
starts to peel, curling and lifting
until the sticky underside loses its grip.
By Labor Day, your body
can walk your soul on a leash,
yanking it back when it lifts a hind leg
over the perfect green of a neighbor’s lawn.
Around Halloween, the soul begins to rise.
Thanksgiving,
it’s a kind of beach ball clearing the net.
On New Year’s Day, it flips on the trampoline
of the body, bouncing higher and higher
until it shoots through the roof.
As Pesach approaches,
the soul—tied by the ankles—
bungee-jumps from the body,
which, meanwhile, has been attending to
its own messy business in the ground.
How else to explain why
Judah ha-Nasi would suddenly appear
to his family on Friday nights,
dressed in his Shabbat finery,
recite Kiddush over the wine, and vanish.
Or why my mother, just last week,
stood behind me by the stove,
telling me my kugel needs more salt.
A retired dentist from Great Neck
swears he’s photographed a soul leaving its body.
And a deposed countess from Romania
topped that,
claiming she’s measured its weight in ounces.
On my mother’s Yahrzeit,
when our family gathers at the cemetery
to unveil her headstone,
and we’re crying, why be sad?
Think of it as a bon voyage party—
a soul at last at liberty
to make its own plans.
God’s Breath
If God can be said to breathe the soul
into each living thing, as he did into Adam,
then the magician we hired
for our daughter’s birthday party was like God.
Before performing the rabbit-in-the-hat trick,
before pulling shiny nickels
from Emma’s ears,
he got a long skinny green balloon
and stretched it like saltwater taffy,
then put his lips to its lip and blew.
And it grew and grew,
luminous and green, it grew
in its nakedness, and when it was a yard long
the magician knotted it,
and with a few deft flicks twisted it
into a dachshund—buoyant, electric, tied to a leash
of fuchsia ribbon—that bounced
along the floor, bumping after our daughter
on their walks around the house.
Weeks later, cleaning under her bed,
I coaxed it out with a broom—
a collapsed lung furred with dust.
As long as it still had some life in it,
I couldn’t throw it away.
So I popped it with a pin.
And God’s breath, a little puff
from elsewhere, brushed my cheek.
On the Way Back from Goodwill
After Uncle Al’s final coronary,
Aunt Flossie gave my dad
Al’s unworn, tasseled, white
patent-leather penny loafers,
the Florsheim labels still stuck
like chewing gum to the heels.
Shoes my elegant father
was too polite to refuse.
So his brother-in-law’s shoes
cured in a closet for twenty years,
soles stiff as planks, until
I boxed them up
with my father’s things
and shipped them home,
where side by side
in the dark crawl space
under my roof they idled
&
nbsp; for another twenty, enduring
long ice-hatcheting winters
Uncle Al would have hated.
Now the last of him
is gone, with his temper
tantrums, and his bad taste,
and his black eye-patch
that covered the empty
socket of his right eye,
lost in a car crash. Gone,
the thick wad of fifties
he carried in his pocket
to intimidate and impress.
No cheapskate, I slip
a dime into the stubborn
slot on his loafers meant
for pennies, the way
you’d close a dead man’s
staring eyes with a coin
so he won’t take you
along with him.
Haven’t I already
done my time?
Fugue
It was not our story. It was hers.
That’s how friends told us to think of it.
It was not our story, it was hers.
In what book does it say that you’re
supposed to live until you’re eighty?
Our house was hers for the summer.
Our forks and spoons and knives.
She seemed happy waving goodbye.
We said, So long, take care, enjoy.
It was not our problem, it was hers.
Her clothes hung in our closets.
Her little boy slept in our daughter’s bed
and played with our daughter’s old toys.
It was not our sadness. It was hers.
Her sadness had nothing to do with us.
She borrowed books from the library.
Scrubbed the bathtub. Baked a pie.
We were just going about our business.
We were hundreds of miles away.
It was not our madness, it was hers.
She finished the book. Sealed
the letter in the envelope, telling why.
We replaced the bloody floorboards
where their two dead bodies lay.
We stained the new boards to match
the old ones—a deep reddish stain
our daughter first thought was blood
until we told her it was not blood.
And not our desperation, it was hers.
It was scraped, sanded, varnished.
No one can tell. It could have happened
to anyone, but it happened to us.
We barely knew her. We weren’t there.
We didn’t want to make their tragedy
our tragedy. It was not our story.
They had their story. We have ours.
Scrabble in Heaven
They’re playing Scrabble in heaven
to pass the time, sitting at their usual
places around the table—
or whatever passes for a table there—
my father opposite my mother,
Uncle Al across from Floss,
husband opposite wife—all four of them
bickering as they did in life—
the Scrabble board laid flat
on the wooden lazy Susan,
as Sunday afternoons they’d play
while dinner was cooking,
or if my mother was too tired to cook,
order takeout from the Hong Kong.
After dinner, they’d resume the game,
a conversation interrupted midsentence;
cigarette smoke rising from ashtrays,
dirty dishes stacked in the sink,
chopsticks poking from the trash pail.
They never invited me
to join them. So I’d sprawl on the rug
feeling sorry for myself,
one ear tuned to Ed Sullivan on TV,
one ear tuned to their squabbling,
which continued even when they consulted
the Webster’s to check a word,
tucking its red ribbon bookmark between
tarnished gilt-edged pages.
Sunday after Sunday,
the lazy Susan rotating on the table,
the pastel squares checkering the grid,
the light blue squares, the navy, the red,
the black star on the pink square
in the dead center of the empty board,
the silky feel of the tiles brushing
fingertips as they select the letters—
just as I’m doing now, touching these keys—
as their memories of the earth
and all the words they had for them—
daughter niece husband wife sister
tree rock dog salt—
diminish one by one.
Gelato
When Caravaggio’s Saint Thomas pokes his index finger
past the first knuckle, into the living flesh of the conscious
perfectly upright Jesus Christ, His bloodless wound
like a mouth that has opened slightly to receive it, the vaginal folds
of parting flesh close over the man’s finger as if to suck,
that moment after Christ, flickering compassion,
helps Thomas touch the wound, calmly guiding
the right hand of His apostle with His own immortal left,
into the warm cavity, body that died and returned to the world,
bloodless and clean, inured to the operation at hand
and not in any apparent pain—
to accidentally brush against His arm
would have been enough, but to enter the miraculous flesh,
casually, as if fishing around in one’s pocket for a coin—
because it’s in our natures to doubt,
I’d doubt what I was seeing, too.
Drawing closer, Thomas widens his eyes
as if to better absorb the injury, his three companions also
strain forward, I do, too,
and so would you, all our gazes straining toward
the exquisite right nipple so beautifully painted I ache to touch
or to kiss it, press my lips to the hairless chest of a god.
His long hippie auburn hair falls in loose